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Aate Jate Khoobsurat Awara ( ) song from the album Anurodh is released on Dec 1977.

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I am responsible for part of the delay as it came when I had scheduled my post on the.

But when you read it you would agree it has been well worth the wait.

Subodh bears his scholarship lightly, and writes in a style as lucid and fluent as the Raga Yaman itself.

Here is his piece on one of the most popular ragas which would delight both connoisseurs as well as lay listeners.

AK) I have never understood why Yaman is the first raga to be taught to students.

Thamil Mid Nid Mp3Songs Free Download Yes

Saajan Film All Mp3 Song Free Download Yes, it does have a simple structure in the sense that it has no komal svaras, but its simplicity is deceptive.

Creating beauty in Yaman requires a high level of skill and sensitivity.

It sounds bland and pedestrian in the hands of a novice or an artist of average capability.

There is, however, no limit to the heights it can attain in the hands of a master.

No wonder it is one of the favourite ragas of our film industrys composers, some of whom Roshan for example have given their best in this raga.

Yaman Kalyan, interestingly, is slightly different, as it uses shuddha madhyam occasionally along with the teevra madhyam of Yaman.

The difference is not much, and in this article I would use Yaman to mean both Yaman and Yaman Kalyan.

Another great raga Malkauns is also known for evoking shant rasa, but there is an important difference between the two.

The tranquility of Malkauns has a Yogic, meditative quality about it.

It evokes the kind of peace one feels when one is happy at home and with family, in the company of friends, watching a beautiful sunset, or doing something one enjoys.

Let me therefore begin with one of the best known works of Roshan, Man re tu kahe na dheer dhare, from the film Chitralekha.

A few years back Outlook magazine had polled some leading music personalities to come up with a list of twenty all time great songs from films, and this song topped that list.

I wouldnt quite go that far, but there is no doubt that this is one of the great songs of Hindi films.

Mohammad Rafi sings Man re tu kahe na dheer dhare from Chitralekha (1964), lyrics Sahir Ludhiyanvi, music Roshan Because of its capacity of combining bhakti and shant rasa, Yaman is ideal for recitation of Sanskrit slokas.

You can get a flavor of what this raga can do in this recitation of Bhagvad Gita by the incomparable Lata Mangeshkar Another devotional masterpiece from Lata in Yaman is the Meera bhajan Kinu sang khelun holi set to music by her brother Hridaynath Mangeshkar: Lata Mangeshkar sings Meera bhajan Kinu sang khelun holi I have commented above on the kind of everyday serenity Yaman evokes.

There can be no better illustration of this than this song one of my all time favourites from Bhabhi ki Chudiyan by Lata Mangeshkar, set to music by Sudhir Phadke.

Apart from shant and bhakti rasa, this song also has a mood of joy.

I sometimes wonder if the list of nine rasas is incomplete without a tenth a nanda rasa.

Kishori Amonkars version is sweeter and classically orthodox.